|
 |
The Grand Palace [ including Wat Phrao Kaeo
] is the major tourist attraction in Bangkok. This complex was created
in 1782 and comprises the Royal residence, the Royal Monastery of the
Emerald Buddha, its surrounding Galleries depicting the paintings of
the scenes from the Ramakien [ the Thai version of the Indian epic of
the Ramayana ], the Outer Court, the Inner Court and the Central Court.
The complex was designed and constructed during the reign of absolute
monarchy [ which ended in 1932 ]. It was the religious and
administrative centre for the Kingdom. The architecture is dominated by
religious and royal symbolism to convey and enforce the sacred nature
and power of the monarchy.
|
 |
The design of the Palace follows that of the former Palace of Ayutthaya.
The Central Court of the Grand Palace was formerly the royal residence
of the Chakri kings. Not all of this complex is open to the public but
a walk around the outside is worthwhile. The throne hall in neo-French Renaissance style with traditional Thai
styled tiered roofs and spires are impressive. The mix of Chinese
porcelain and stone statues, Khmer, European and Thai architecture
styles makes for a unique blend on an impressive scale.
Everywhere are dotted works to proclaim in symbolic form the majesty
and authority of the King based on Brahmanic ideas and those of
Mahayana Buddhism. Spires emulate Mount Meru or the universe of the
gods. These spires are supported by garudas, some supporting Phra Narai
[ who in human form descended to earth to help humans and relieve them
of suffering ], these symbolise the mythical animals within the
Himavamsa forest surrounding Mount Meru and the king's association with
Phra Narai. The frequent use of the Naga [ a mythical serpent which
protected Buddha ] symbolises the Naga in its role of protecting Buddha
as here also protecting the King. All the symbolic references in art
are derived from India and support and entrench the political authority
of the system of government.
|
|
|
